Skip to content

Excerpt

Excerpt from The Uncommercial Traveller, by Charles Dickens

When this hospital was first opened, in January of the present year, the
people could not possibly conceive but that somebody paid for the
services rendered there; and were disposed to claim them as a right, and
to find fault if out of temper. They soon came to understand the case
better, and have much increased in gratitude. The mothers of the
patients avail themselves very freely of the visiting rules; the fathers
often on Sundays. There is an unreasonable (but still, I think, touching
and intelligible) tendency in the parents to take a child away to its
wretched home, if on the point of death. One boy who had been thus
carried off on a rainy night, when in a violent state of inflammation,
and who had been afterwards brought back, had been recovered with
exceeding difficulty; but he was a jolly boy, with a specially strong
interest in his dinner, when I saw him.

Insufficient food and unwholesome living are the main causes of disease
among these small patients. So nourishment, cleanliness, and ventilation
are the main remedies. Discharged patients are looked after, and invited
to come and dine now and then; so are certain famishing creatures who
were never patients. Both the lady and the gentleman are well
acquainted, not only with the histories of the patients and their
families, but with the characters and circumstances of great numbers of
their neighbours—of these they keep a register. It is their common
experience, that people, sinking down by inches into deeper and deeper
poverty, will conceal it, even from them, if possible, unto the very last
extremity.

The nurses of this hospital are all young,—ranging, say, from nineteen to
four and twenty. They have even within these narrow limits, what many
well-endowed hospitals would not give them, a comfortable room of their
own in which to take their meals. It is a beautiful truth, that interest
in the children and sympathy with their sorrows bind these young women to
their places far more strongly than any other consideration could. The
best skilled of the nurses came originally from a kindred neighbourhood,
almost as poor; and she knew how much the work was needed. She is a fair
dressmaker. The hospital cannot pay her as many pounds in the year as
there are months in it; and one day the lady regarded it as a duty to
speak to her about her improving her prospects and following her trade.
‘No,’ she said: she could never be so useful or so happy elsewhere any
more; she must stay among the children.


Explanation

Detailed Explanation of the Excerpt from The Uncommercial Traveller by Charles Dickens

Context of the Source

The Uncommercial Traveller (1860–1869) is a collection of sketches and essays by Charles Dickens, originally published in his weekly journal All the Year Round. Unlike his novels, these pieces are semi-autobiographical, blending personal observation, social commentary, and fictional embellishment. Dickens, known for his sharp critiques of Victorian society—particularly its treatment of the poor—often visited hospitals, workhouses, and slums, documenting the struggles of the working class.

This excerpt describes a charitable hospital for children, likely inspired by real institutions such as the Hospital for Sick Children in Great Ormond Street (founded in 1852), which Dickens supported. The passage reflects his broader concerns with poverty, public health, and social responsibility, themes central to works like Oliver Twist (1838) and Bleak House (1853).


Themes in the Excerpt

  1. Poverty and Suffering

    • The hospital serves children from impoverished families, where "insufficient food and unwholesome living" are the primary causes of illness.
    • Dickens highlights the cyclical nature of poverty: families conceal their desperation until the "very last extremity," suggesting shame and systemic neglect.
    • The mention of "famishing creatures who were never patients" underscores how poverty extends beyond the hospital’s reach, implying a broader societal failure.
  2. Charity and Human Compassion

    • The hospital operates on gratitude rather than entitlement—initially, patients assumed someone was paying, but they later recognized the selfless nature of the care.
    • The nurses’ dedication (e.g., the dressmaker who refuses higher pay to stay) exemplifies altruism over material gain, a value Dickens often contrasts with Victorian greed (e.g., Scrooge in A Christmas Carol).
    • The invitation for discharged patients to return for meals shows a holistic approach to care, addressing hunger as well as illness.
  3. Parental Love and Desperation

    • The "touching and intelligible" urge of parents to take dying children home—even at great risk—reveals deep emotional bonds and the desire for dignity in death.
    • The boy carried off in the rain, nearly dying from inflammation, illustrates the tragic consequences of poverty-driven decisions.
  4. Social Awareness and Reform

    • The hospital staff’s detailed records of patients and neighbors suggest a systematic effort to understand and combat poverty, aligning with Dickens’ advocacy for public health reforms.
    • The emphasis on "nourishment, cleanliness, and ventilation" as remedies reflects 19th-century medical progress (e.g., Florence Nightingale’s sanitation reforms) and Dickens’ belief in preventable suffering.

Literary Devices and Stylistic Features

  1. Juxtaposition

    • The hospital’s warmth (nurses’ care, shared meals) contrasts with the "wretched home" of the patients, emphasizing the gap between charity and systemic poverty.
    • The dressmaker’s selflessness ("she could never be so useful or so happy elsewhere") is set against the harsh economic reality (she earns less than "pounds in the year as there are months").
  2. Irony

    • The parents’ misplaced pride—hiding their poverty "unto the very last extremity"—is tragicomic, revealing how social stigma prevents aid.
    • The "unreasonable but touching" decision to take dying children home is ironic because it harms the child but stems from love.
  3. Pathos (Emotional Appeal)

    • The jolly boy "with a strong interest in his dinner" humanizes the patients, making their suffering more poignant.
    • The nurses’ emotional attachment ("bound to their places far more strongly than any other consideration") evokes admiration for their sacrifice.
  4. Realism and Detail

    • Dickens’ specific observations (e.g., age range of nurses, the dressmaker’s wage) ground the sketch in authenticity, a hallmark of his social realism.
    • The register of neighbors’ histories suggests a documentary-like precision, reinforcing the urgency of reform.
  5. Authorial Voice and Tone

    • The narrator’s perspective is compassionate yet analytical, blending sympathy ("touching and intelligible") with critique (e.g., parents’ concealment of poverty).
    • The understated humor (e.g., the boy’s focus on dinner despite near-death) lightens the grim subject without diminishing its gravity.

Significance of the Excerpt

  1. Dickens’ Social Critique

    • The passage exposes the failures of Victorian society to care for its poor, a recurring theme in Dickens’ work.
    • It champions charitable institutions while implying that systemic change (not just charity) is needed—a tension in his reformist views.
  2. Humanization of the Poor

    • Unlike contemporary depictions of the poor as lazy or undeserving, Dickens portrays them with dignity and complexity (e.g., parents’ love, nurses’ devotion).
    • The hospital becomes a microcosm of hope, showing how small acts of kindness can counteract larger societal neglect.
  3. Influence on Public Health Reform

    • Dickens’ writings raised awareness about child mortality, sanitation, and poverty, contributing to 19th-century reforms (e.g., the Public Health Act of 1848).
    • His focus on preventable suffering (e.g., malnutrition) aligns with modern public health advocacy.
  4. Literary Legacy

    • The sketch exemplifies Dickens’ blend of journalism and fiction, influencing later social realist writers (e.g., George Orwell, Upton Sinclair).
    • Its emotional depth and moral urgency remain relevant in discussions of healthcare access and income inequality.

Key Takeaways from the Text Itself

  • The hospital is a sanctuary in a world of deprivation, but its existence also highlights the broader crisis of poverty.
  • The parents’ actions—though seemingly irrational—are driven by love and desperation, revealing the psychological toll of poverty.
  • The nurses’ devotion suggests that compassion is a powerful motivator, even in the face of economic hardship.
  • Dickens’ detailed, empathetic prose ensures the reader sees the poor as individuals, not statistics—a radical approach for his time.

This excerpt, like much of Dickens’ work, challenges the reader to confront injustice while affirming the resilience of human kindness. It is both a document of its era and a timeless call for empathy.